Andras Ikladi (b. 1978, Hungary) is a photographer whose practice operates between documentary observation and a deliberately lyrical, book-centred authorship.

Following two decades as a visual-effects artist on major international films—earning industry awards—he shifted exclusively to photography in 2022, pursuing a more personal mode of expression. His practice stems from a dedication to observation and curiosity shaped by living in nearly a dozen countries and a transcontinental motorcycle expedition.

Working on the edges of street photography, Ikladi uncovers surrealism in the mundane, exploring latent fears and dualistic undercurrents. His process begins with serendipitous fieldwork, progressing through intuitive capture, sustained engagement, and meticulous editing. Images are sequenced to evoke implied narratives and "third effects," fostering viewer-driven interpretations. Non-linear yet cohesive, this method mirrors his nomadic travels; he advances multiple projects simultaneously, rarely shooting outside them, and favours photobooks for their controlled pacing and tactility.

To date, Ikladi has created seven photobooks, including Citramarine, The Floating World, Incubus, Undercurrents, Crows Nest, and BLACKOUT, with Jamais Vu in progress. Solo exhibitions include RANDOM Gallery, Budapest (Citramarine, 2024), and Place M Gallery, Tokyo (The Floating World, 2026). Selected group shows span multiple countries from Hungary, the United States, to China and Singapore. His work features in Leica Fotografie International, L'Œil de la Photographie, and print publications; his work was presented at the Arles Book Fair (2025), Budapest Photo Festival, and holds memberships in the Association of Hungarian Photographers and Photographic Society of Singapore.

Through photobooks and a project-oriented approach, Ikladi transforms personal exploration into reflective visual poetry, revealing the uncanny in the everyday.